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Grateful Dead Live at Providence Civic Center on 1974-06-26




Set 1

Big River, Brown Eyed Women, Beat It On Down The Line, Scarlet Begonias, Black Throated Wind, Row Jimmy, Mexicali Blues, Deal, The Race is On, Mississippi Half Step, El Paso, Ship of Fools, Weather Report Suite Prelude-> Weather Report Suite Part 1-> Let It Grow-> It Must

Set 2

U.S. Blues, Me & My Uncle, Jam-> China Cat Sunflower-> I Know You Rider-> Beer Barrel Polka-> Truckin'-> The Other One-> Spanish Jam-> Wharf Rat-> Sugar Magnolia, E: Eyes Of The World


Collection GratefulDead
Band/Artist Grateful Dead
Venue Providence Civic Center
Location Providence, RI

Source aud>akg d1000e's>sony tc-152sd, (3)maxell ud-120's, dolby b
Lineage cassettes re-shelled > nak dragon > hd-p2 24/96 > cd wave > flac
Taped by Jerry Moore
Transferred by Rob Berger

Reviews

Reviewer: yamarva - - September 24, 2014
Subject: Too young...
In the realm of what is possible, I can close my eyes and transport myself back to the wall of '74. Great show and a relic of AUD sound.
Reviewer: lkhamilton40 - - November 23, 2010
Subject: wow
better than the dicks picks! download !!
Reviewer: HipHop420 - - April 3, 2010
Subject: NICE!
Nice AUD of a GREAT show!!
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=110519) Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Transfers and Mastering By Charlie Miller + AUD (shn id 91996) Sennheiser ME-80's>Technics SV-MD1
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Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Tape flip in drums at 5:35 spliced using Soundforge 9.0. Recorded FOB from Section 63, Row J, Seat 12 by Bob Morris.
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Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging By Keo
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Source: Nakamichi CM 100's with CP-4 shotguns -> D-5
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Source: Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90)
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Source: Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90)
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Source: Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/Loge Row 6 Row FF Seat 617/6 Feet High)> Sony TC D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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282
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Source: Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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1,166
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Source: Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII)